The mount made of silver-plated brass stands on four distinctive paw feet that merge into stylized leaf shapes and give the object a stable, high-quality stand. The body design is characterized by a central, circular application with vertical decorative elements, which is flanked by wide, geometrically openwork handles - a typical feature of the design language about 1910. The precisely fitting glass insert made of clear glass has a finely crafted wavy edge at the top. Particularly noteworthy is the subtle touch in the form of hanging laurel garlands and bow decorations, which gives the ensemble a classicist touch. The combination of the cool patina of the silver plating and the transparency of the cut glass makes this vase an exquisite example of upscale table culture from the turn of.
